HUMANITY FOR SALE | 2025

HUMANITY FOR SALE doesn’t just take photos — he follows the story wherever it goes. Over the last twelve years, that’s put him in the middle of protests, underground scenes, and places most people overlook — always chasing something real.

He grew up on the road, hitchhiking across the U.S., meeting strangers and collecting stories. That time shaped everything — how he sees people, what he chooses to show, and why he picks up a camera in the first place.

In 2017, he won an Emmy for a short doc on a graffiti artist. Since then, he’s covered Hong Kong, Portland, and Washington, D.C. — not just for headlines, but for the moments that don’t make it into them. He moved to Washington, D.C., in 2024 to get closer to the source — where decisions are made and consequences play out in real time.

Now based in New York City, he’s pushing that same approach into a faster, louder environment — documenting a city that doesn’t slow down, where stories unfold in real time and disappear just as quickly.

The work isn’t polished, and that’s the point. It’s personal. It’s instinct. And it doesn’t look away.